Female impersonator Jim Bailey’s onstage portrayals of famous entertainers were so uncanny — not just their voices but also the mannerisms, costumes and hairdos — that sometimes people thought they were seeing the actual women.

But one couple in Las Vegas, seeing Mr. Bailey in his signature role as Judy Garland, took it a step further.

“The audience was from a plumber’s convention,” wrote Bruce Vilanch in a 1997 article for the Advocate magazine. “One plumber turned to his wife and said, ‘I thought she was dead.’

“ ‘She is,’ the wife replied, ‘This is the daughter.’ ”

Mr. Bailey, 77, died May 30 at a hospital in Los Angeles. The cause was a heart attack brought on by pneumonia, said his manager, Steve Campbell. Mr. Bailey lived in Santa Clarita, Calif., and had been retired for several years.

He had been a Las Vegas staple and appeared on numerous television shows beginning in the 1970s, including “The Ed Sullivan Show” (as Garland, singing “The Man That Got Away”), “The Carol Burnett Show” (as Barbra Strei­sand, singing a duet with Burnett), “Here’s Lucy” (as Phyllis Diller), and (numerous times) “The Tonight Show.”

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He did live, full-length concerts as his characters at major venues such as Carnegie Hall, the London Palladium and the Dorothy Chandler Pavilion in Los Angeles, where he appeared in 1972 as Garland and Streisand.

“Bailey is a devastating talent and a phenomenon,” Mary Murphy wrote of that show in the Los Angeles Times. Although she admired his Streisand, it was his Garland that got to her. “As Garland, he is magnificent,” Murphy wrote. “He is sentimental and strong, like a lion and a kitten.”

He hated being called a drag act, much preferring to be described as a “character actor” or “illusionist.” He also didn’t want to be known as “camp.”

“It used to be, and it’s still true in some sense, that a man puts on a dress for laughs,” he said in a 2004 Times interview. “I did the opposite, and people were fascinated by it.”

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James William Bailey was born Jan. 10, 1938, in Philadelphia. He studied opera at the Philadelphia Conservatory of Music (now the University of the Arts).

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“The technique that I learned there, studying to be a lyric tenor — how to breathe properly, how to sing without a microphone, as well as microphone technique — is what has made it possible to do the kind of singing I do with my famous ladies,” he told the Times.

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He decided that more than anything, he wanted to be an actor. In the mid-1960s, he moved to Los Angeles, where he auditioned for parts, mostly unsuccessfully, and appeared occasionally in small clubs doing comedy bits and singing. The first impersonation he developed was of Diller, and he worked it into his act.

The major revelation came when he was driving his car and a Garland song came on the radio. He began singing along, at first in the car and then later to a Garland album at home.

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“As I did, I found my body was doing Judy moves that I had seen on her television show,” he said. “And I thought, ‘My God, I can sing like Judy Garland. What does that mean?’ ”

He worked it into his act, and it became a sensation. In about 1967, Campbell said, Garland showed up at a San Fernando Valley club to see him. She ended up joining him onstage for a duet of “Bye Bye Blackbird,” and they became friends.

The real-life Garland coached Mr. Bailey in imitating her, down to her famous tics and gestures. “You don’t want to do everything in the same song,” he said she told him, “because then you won’t have anything to do later on.”

His popularity led to a Las Vegas lounge booking, where several celebrities saw him, including Ed Sullivan. The 1970 Sullivan show appearance was key to Mr. Bailey’s career.

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In his 20s, Mr. Bailey had a brief marriage that ended in divorce, but his personal relationships were primarily with men. He and Campbell were a couple for several years, but at the time of his death, Mr. Bailey did not have a partner. Survivors include a brother.

After several years of appearing on stage as women, Mr. Bailey sometimes performed as himself. But his unadorned singing act did not find much favor with critics, and he returned to his “illusions.” He didn’t mind that, he said, especially when it came to Garland, who died in 1969 at 47.

“I feel like I’m continuing a career that shouldn’t have ended,” he told the Orlando Sentinel in 1997. “A lot of young people who weren’t even born when she was alive get to see Judy.”

— Los Angeles Times

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